Tuesday, March 31, 2020

"It was a morale booster, a jolly place, but it was not curative"

This profile of Naomi Replansky and Eva Kollisch was a wonderful read.


I loved this story because I learned more about these incredible women and the circumstances around their lives. At the same time, I've noticed an odd rash of stories about "getting through difficult times" featuring... Holocaust survivors and people who survived escaping the Syrian army or lost their brother in 9/11. I'm sure there are more!

This is a terrible time, many people are struggling, but... what? The advice is lovely, but I feel like this media turn is vastly inappropriate. Maybe it's just me.

I read the novel Writers & Lovers by Lily King and was up half the night because I didn't want to leave the characters. I thought it was as enjoyable as Conversations with Friends, but it may have been because it was so relatable. It takes place in Boston/Cambridge in 1997, and is so site specific. There are paragraphs documenting the specific route she takes to work, paintings at the MFA that are still on display. Reading about her biking around and going to places (particularly the closed stores, RIP Border Cafe) was a perfect escape. All I wanted was a juicy novel about women, love, grief, and the patriarchy, and it delivered. I'm very tired today.

Speaking of museums, the findable map of the Met is delightful!

The entire map is available online and in the museum, and has earned a reputation as the Met's most popular publication for kids. Click to zoom in.
Met Museum Map

Monday, March 30, 2020

The Munch-Cohen Connection



Entitled "The Heart" and created in 1899, the above Edward Munch woodcut is best paired with the below 2019 Leonard Cohen song "Happens to the Heart."


 


Sunday, March 29, 2020

The Dexterity of Desnos


Surrealism is one of my favorite "brands" of writing, in particular the work of the French Surrealist poets. Below is a good one by Robert Desnos. Fun/sad fact is that during WWII Desnos was a member of the French Resistance and died in the Theresienstadt concentration camp in 1945, aged 44. Doubly fun fact--the below poem was translated by Paul Auster.

At the Edge of the World

Babbling in the black street, even at the end, where
                         the river shudders against the banks.
Tossed from a window--a lone cigarette-butt
                         blooms  into a star. 
Again, babbling in the black street.
You loud mouths! 
Thick night, unbreathable night. 
A cry comes near, is almost upon us,
But fades at the moment it arrives.

Somewhere in the world, at the foot of a slope,
A deserter is talking to sentinels who do not understand 
                           his language. 



Saturday, March 28, 2020

Mild Celebration

Today I get out of self-quarantine from my parents! Not a huge deal, but we get to now be in the same space, and I can stop eating dinner in another room and yelling into the conversation. For reasons too long and boring to explain here, all of my stuff is stored in this house, packed away in the late summer, but I haven't been able to access it during quarantine. For some reason I've just been fixating on being reunited with my overalls, which are back there somewhere, and I guess with seeing what, exactly, I've stored and forgotten about.

In other news, I started some leftover seeds from last year inside -- dill, nasturtiums, basil, parsley -- we'll see if they successfully sprout.

Here are some photos I was looking at, without any context.








Friday, March 27, 2020

happy zoom day

I missed a few days on this blog because I kept waking up late and feeling meh. Also, I turned 32 on video chat this week.

Having a Zoom birthday was, according to Josh, like having a party in which everyone is standing in a circle. I got all dressed up and changed outfits three times to keep it interesting. At one point, we went outside and danced with my neighbors. Patty couldn't get her video to work, so her avatar was an image of a baby being baptized. My mother in law sent me a video:



 Here are some photos:



In the 2 seconds that Patty could get her video to work, she showed us her "coronavirus haircut," which included a long rat tail. "Everyone should have a fucked up coronavirus home haircut by the time we're done with this," she said.

What was nice is that I got 30 people from 10 different states to participate in what someone described as feeling like "a weird art project" because I was so dressed up and drank an entire bottle of orange wine from a goblet. I'm not the only one having these birthday parties – they're proliferating and who knows how much longer they're going to go on. (I have one tonight, in fact!) I tried to make the best of it, but I love my friends and I found it depressing.

I also baked an angel food cake, which was pretty easy, but took 12 egg whites. Josh baked an opposite cake with the yolks, so now we have a white pound cake and a yellow pound cake. We froze the yellow one.


 


About a week ago I deactivated all my social media because reading up to the minute commentary at the same volume was getting me down. I thought I'd miss it, but I honestly don't! Now I read the news once or twice a day instead and keep up on Metafilter. The internet without social media is very different, and I like it.

I've been reading and listening to Emergence Magazine primarily, and I am getting a lot out of it. The magazine publishes online and then provides a podcast – either a discussion or a reading of an article by the author. I particularly loved this piece, about enclosures and humans living with trees. They're doing some online classes on topics like nature writing, and a reading group of Braiding Sweetgrass, one of the best books I've read in a long time.

Thursday, March 26, 2020

shouts out to all of my regency era girls

Unemployed and quarantining with my parents in the suburbs, I've been thinking a lot (well even more than usual) about the women living in country houses in those Jane Austen novels. They basically live in isolation - maybe they go to a country dance or have guests occasionally, but most of the time they're really just by themselves. They didn't do housework because they had servants. What did they do all day? From the novels we know they embroidered a lot, went for walks in the countryside, maybe played piano. I guess they spent a lot of time on their "correspondence." Did they not get bored? Maybe it never occurred to them to be bored, the pace of life was so slow then. The most exciting thing that could happen was a man of considerable fortune (5000 pound a year!) moving into the neighborhood. That was conversation fodder for months. Anyway I guess what I'm saying is that I'm Elizabeth Bennett now and if you email me I am absolutely thinking of it as my "correspondence"


participatory moments



being stuck inside has made me think a lot about Elastic-City, known for its participatory walks, but was/is much, much more than that.

i'm just home, but i think about what i can do to be present in where i am
and i think about what i can do to draw and feel like i can put good ideas and bad ideas on my little whiteboard and do something with it or erase it all and do it again. i mostly erase all of it.

and i think about how i can de-stress, even if it is just to check in with myself for a second.


image of .the book "Prompts for Participatory Walks"

"Sapokanikan"

I went out for a walk this morning and put Joanna Newsom's "Divers" on. Spring is slowly coming on in Denver; we're supposed to get some rain/snow late tomorrow night but then nothing for weeks. About halfway through the walk "Sapokanikan" came on and I remembered how much I'd loved it a few years ago, listening to it over and over. Newsom has (justifiably, and admirably) never put her catalog on Spotify so I have to pull up my Bandcamp download to listen to the album which I usually forget to do. In Newsom's words in 2015:

"Sapokanikan" is a ragtimey encomium to the forces of remembrance, forgetting, accretion, concealment, amendment, erasure, distortion, canonization, obsolescence and immortality.

It's also quite simply a song about New York City, which is a place I've been thinking about a lot in that last couple of days. I'm not sure if folks living in the city are going to be comforted by its weary, cosmic history of the town from the Lenape to the near-present, or the music video shot in 2015 of an isolated Newsom singing the song as she travels through the streets of Sapokanikan. But finishing my walk around the park I ran into my own weird history: a man dressed in an overcoat, cowboy hat and boots, walking across the crosswalk towards me.

He's in the middle-right of the photo, next to the big tree. I tried not to be too creepy or invasive taking a photo of him. 




Pixelated Apricot Blossoms



My parents have an apricot tree in their backyard and it's started to flower in earnest. Last summer it dropped so much fruit they started to almost (almost) hate it -- we're still making our way through the inventive preserves, of different kinds, my mom made from the spoils. It's hard to imagine that it's going to start fruiting any time soon, during this pandemic. I think it'll be both a glad occasion and a kind of harried, unnerving one, if it has all of the bounty of last year.

Wednesday, March 25, 2020

"Satch Plays Fats: A Tribute to the Immortal Fats Waller by Louis Armstrong and his All-Stars"



"Satch Plays Fats" is sundown music. I've never listened to it before 7p.m. at the earliest. I've noticed more people in Denver out on their porches and patios in the last week and it would be perfect blasting through an open window, as well as in dinner parties or general bullshit sessions with your neighbors at some future date.
There are no liner notes, just a back cover with some adorably 1955 musings from the album's producer, the jazz/rock/pop God George Avakian. He says that Waller's songs "were invariably written with simplicity, charm, and an over-all perfection" so that it is "easy to remember a Fats Waller song, but it is also easy to think that they are no trouble to write." This is correct. I hear "Blue Turning Grey Over You" and "I've got a Feeling I'm Falling" in my head at least once a week.
The solo at 3:07 always slays me. I'll always fight it, but I'm also always going to think of all music through rock music, and that solo feels like a quietLOUDquiet guitar solo from Joey Santiago on a Pixies song. Satch starts with the lovely melody in the first two minutes of the song, then he sings one verse and almost goes back into the melody (the band drops out) but then goes right into the second verse, and at the end of the second verse you're ready for the third verse, he's baited you, but instead he unleashes a full open trumpet solo. Or in Avakian's words: "This extraordinary performance is all Armstrong--a muted trumpet solo, an impassioned vocal, and an open trumpet solo."

There's something both meditative and completely unhinged about this whole album. I think I like it at night because it organizes my emotions from the day, energizes them, and puts them to bed.

Tuesday, March 24, 2020

Garden

I just feel really down and scared today. I looked at seeds because my parents have cold frames on the side of their house, and it was really joyful for an hour or so to plan a garden that could make use of this space. So many different kinds of lettuce to choose from. Here's a pic of the potential layout:



Obv more than can probably fit in this space, but I really want to garden. It's sunny and somewhat warm (mid 50s) here in New Mexico today. Gardening is somewhere in the future..

Monday, March 23, 2020

little delights, and one missing delight

 It snowed today, but the garlic is coming up! This is a sure sign of spring. So early, yet so satisfying.

 I loved this selection from "Braiding Sweetgrass" about the Honorable Harvest

Azaleas: another sure sign of spring.


My desk is messy with books, but I took these photos to show my colleagues my workspace. I built the standing desk myself. The horse painting in the corner was inherited from my grandmother and is by Chucho Reyes. It is one of the most beautiful objects I own. In the corner of the second photo is a cell of Lucy from the Peanuts gang that belonged to my mother. The other small prints are from Lisbon, Havana, and Detroit. The Greek bust belonged to my grandmother. Above my desk you can see books by Lewis Hyde.

 I made fish tacos with red cabbage slaw.

I distributed literature on the coronavirus for the city. Distributing literature in a mask and gloves was dystopian and a bit overwhelming, but I'm glad I did it.

I started to learn to cross stitch. The pattern I'm using is embarrassingly earnest, (It says, "You are ENOUGH.") but I think it's big enough and easy enough to learn on.

I also took a long walk in Forest Hills Cemetery with Lauren, but I didn't take any photos. A number of famous people are buried there, including ee cummings, Anne Sexton (monster!), Eugene O'Neill, Lucy Stone, William Lloyd Garrison, and Amy Beach. Amy Beach wrote some lovely pieces. Here's one.

Zooming with Proust, the literature of convalescence


I've been couch-ridden for about a week, experiencing all the COVID-19 symptoms without the fever (and thus apparently without the main criterion that would make me eligible for testing in Massachusetts). Yesterday I started reading Swann's Way, and let me just say that a quarantine is a great time to start reading this masterpiece of lying around in bed.

Amidst pages upon pages of the narrator waiting for his mom to walk upstairs to give him a kiss goodnight, there's this, which seems to be about Zoom dinner parties or the internet or something:
No doubt the Swann who was known at the same time to so many clubmen was quite different from the one created by my great-aunt, when in the evening, in the little garden at Combray, after the two hesitant rings of the bell had sounded, she injected and invigorated with all that she knew about the Swann family the dark and uncertain figure who emerged, followed by my grandmother, from a background of shadows, and whom we recognized by his voice. But even with respect to the most insignificant things in life, none of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part. In the end they swell his cheeks so perfectly, follow the line of his nose in an adherence so exact, they do so well at nuancing the sonority of his voice as though the latter were only a transparent envelope that each time we see this face and hear this voice, it is these notions that we encounter again, that we hear. No doubt, in the Swann they had formed for themselves, my family had failed out of ignorance to include a host of details from his life in the fashionable world that caused other people, when they were in his presence, to see refinements rule his face and stop at his aquiline nose as though at their natural frontier; but they had also been able to garner in this face disaffected of its prestige, vacant and spacious, in the depths of these depreciated eyes, the vague, sweet residue—half memory, half forgetfulness—of the idle hours spent together after our weekly dinners, around the card table or in the garden, during our life of good country neighborliness. The corporeal envelope of our friend had been so well stuffed with all this, as well as with a few memories relating to his parents, that this particular Swann had become a complete and living being, and I have the impression of leaving one person to go to another distinct from him, when, in my memory, I pass from the Swann I knew later with accuracy to the first Swann—to that first Swann in whom I rediscover the charming mistakes of my youth and who in fact resembles less the other Swann than he resembles the other people I knew at the time, as though one's life were like a museum in which all the portraits from one period have a family look about them, a single tonality—to that first Swann abounding in leisure, fragrant with the smell of the tall chestnut tree, the baskets of raspberries, and a sprig of tarragon (19–20). 


Waiting to talk to a nurse about symptoms did drive me to this 2014 episode of This American Life about "Opus No. 1," the best hold music song, and then this 2014 How to Dress Well song that samples it.

Dinner Parties


"They saw no signs and smelled no smells of supper, their faces were long and dismal under all the politeness. Chexbres and I let them suffer until we thought the alcoholic intake was fairly well adjusted to their twelve or fifteen rather jaded bodies. Then, with the smug skill of two magicians, we flicked away the empty glasses and the tired canapés, and slid the salad and the rolls into place on the old dresser. He gave the ragout a few odorous stirs...and the puzzled hungry people, almost tittering with relief and excitement, flocked like children into the kitchen for their suppers. They ate and ate, and talked as they had not dared talk for too many years, and laughed a great deal." -MFK Fisher remembering her tricky dinner parties in Switzerland...


I attended a virtual quiz night last night, which was as close to riotous a time as I've had in isolation. I've been really craving people-full nights. Dinner parties. I wonder if it would be possible to throw a virtual dinner party somehow, everyone making and eating a different part of the meal, or cooking some simple thing all together and sharing in it. I hope when this is all over to have more dinner parties.

[Edit: because someone else just posted a screenshot from their Zoom hangout, I'm going to post my own here, from the virtual quiz night.]


Sunday, March 22, 2020

coffee: an isolation series


Cafe Bustelo brand coffee bricks
Our Bustelo store...prior to COVID-19.



Places I would have liked coffee from, but smartly weren’t open:

Cafe Grumpy
Odd Fox
Champion Coffee (Nassau Ave)
Ovenly


Places that weren’t open, but I only was pretending I would have gotten coffee from anyway:

Champion Coffee (Manhattan Ave)
Ashbox Cafe
Woops Bakeshop


Places open, but I chose not to check out:

Eleva - This apparently recently opened in those big new condo buildings on that new street,
“Bell Slip”. I need some time to accept that this street exists and that someday, possibly, I will try
the coffee here. I just wasn’t sure if I could get there yet, like when the Bachelor tells the ladies he
likes, but just hasn’t gotten to know as well compared to the other women who are left on the show,
and can’t give them a rose.

Eagle Street Trading Co - I got anxious as I thought it was too close to closing time to bother them
with an espresso request.


Unknown, aka I forgot to walk up those blocks:

Bakeri
Sweetleaf (Greenpoint)


Attempts this week to associate coffee with home rather than the outdoors in light of social distancing:

- Using a grinder my dad bought me for the first time after months of occasionally looking at it, but never
making an attempt to utilize.

a hand Java Presse branded coffee grinder


- Making Bustelo in the little Bialetti.



A Timeline:

a guy sitting at a table next to a newspaper
Last chance last week at Charlotte
an orange coffee mug with a grumpy face icon
Current situation: Home
a morose girl holding a plastic coffee cup
Last chance to-go coffee from Variety
an Instax photo in front of a coffee shop
Last chance to-go coffee at Hungry Ghost



Mike Davis Podcast

My parents listened to this the other night. I couldn't really hear it from my isolation room but it sounded good and helpful, and they pronounced it "terrific." More than a decade ago, Mike Davis wrote an alarming book on avian flu ("The Monster at Our Door"). Here's a very recent article he wrote on the pandemic and its relationship to austerity and inequality.

It's two hours long, FYI.

Podcast link: Mike Davis on Coronavirus Politics

Sought: Real Refreshment

Today has been a refresh refresh refresh kind of day. Refresh email and get emails you didn't really even want. Or, just as bad, refresh news sites over and over again, waiting for any new news. I get why "they," whoever "they" were, called it the refresh button (though it's not a button). It sounds really positive, infinite, infinitely quenching. Obviously it's almost never so.

When you find yourself deep in a hopeless "refresh" spiral, what do you do to break out of it? Taking any and all suggestions. I know "go for a walk" is a great answer here, but I guess I'm looking for things that feel of the same energy level, commitment, as sitting there hitting the "refresh" "button." Do you have a motto that keeps you from doing this? (I don't know...) Do you suffer from the same tendency?

This symbol...where ouroboros symbolized wholeness, this cursed adaptation feels to me to symbolize emptiness.

the fumbling sort of macroparasitism we call civilization

-a turn of phrase from "Plagues and Peoples" that just SLAYED me

Saturday, March 21, 2020

being alive

The first person in Massachusetts died from COVID-19 yesterday, an 87 year old man from Winthrop.

When my friend Penelope's mother, Edie, died at 94 a few years ago, she was appalled that she had to fill out the cause of death on the death certificate and that "old age" was not an option.

"What do you mean, 'What did she die of?'" she would rant to anyone who would listen. "I wish I could have helped her depart sooner, when she asked to, before the dementia and incontinence set in, but that would be murder in this country." Penelope danced with the Trisha Brown Company, lived with Robert Rauschenberg and at the Chelsea Hotel, was tight with Gordon Matta-Clark, gave her inheritance to the Abenaki Tribe of Vermont. She's lived on a homestead and grown about 85% of her own food since the early 1990s. Her origins remain a mystery to me. At various times, she's told me that her father was killed in Virginia for being an anti-segregationist, that she converted to Sufism in the 1980s, that she has premonitions and dreams that derive from her commitment to vision questing and sweat lodging in the woods. She protected me at a time when I needed it, and I lived with her for a summer as a farm intern and have visited often over the past ten years. Penelope is like a light for moths who can't find the front porch – I've sent my best friends to live in the house with her too, learning to talk to herbs and gardens and goats. We harbor dreams of co-owning the land some day.

I saw Penelope last about a year ago. Josh and I were driving to Montreal to get engaged, and we stopped by on our way because my mother asked for her ashes to be scattered at Lake Willoughby, not far from Penelope's house. My mother died when she was 66 and I was 30, she a young senior citizen and I not-so-young, and I always feel like I have to justify that by telling people, "She was very sick." We scattered her ashes on the freezing, windy lake and they blew up into my boots, my hair, my face. I started laughing, and so did Josh and Penelope, who was wearing a men's shirt around her head instead of a hat and looked tiny against the grey and white day. Penelope said a prayer for my mother's ashes to "The Great Earth Mother." She forgot my mother's name. We laughed again. I sang a song and cried:
"Oh lord, my God
I pray that these things never end
The sand and the sea
The rush of the waters
The crash of the heavens
The prayer of the heart"

Back at the house, Penelope told us, straight-faced, that she planned on making a career late in life as a coffin-maker because she needed money these days. She had a dream, a premonition – she knew it was her new calling. When Edie died, it was winter and they couldn't get her out of the house right away because the house is too remote and the snow was too thick, so they had a party. She lay in state all night and they built and painted the coffin, got rip roaring drunk, and sent her off in style. "It was such a gift," she said. "I want to give that gift to others."

I've been thinking about the book Being Mortal a lot lately, a book I return to often. Parts of it make me cringe due to lack of class analysis – the assisted living building he describes as ideal is one of the most expensive in the country and it bothers me that Atul Gawande has become the face of Bezos-care – but the book nourished me in grief. There are so many good quotes, but here are a few that feel pertinent right now:

"We're always trotting out some story of a ninety-seven-year-old who runs marathons, as if such cases were not miracles of biological luck but reasonable expectations for all. Then, when our bodies fail to live up to this fantasy, we feel as if we somehow have something to apologize for.”

“For all but our most recent history, death was a common, ever-present possibility. It didn’t matter whether you were five or fifty. Every day was a roll of the dice.”

“Death, of course, is not a failure. Death is normal. Death may be the enemy, but it is also the natural order of things.”

“Our reluctance to honestly examine the experience of aging and dying has increased the harm we inflict on people and denied them the basic comforts they most need. Lacking a coherent view of how people might live successfully all the way to their very end, we have allowed our fates to be controlled by the imperatives of medicine, technology, and strangers.”

"People die only once. They have no experience to draw on."

Until last year, I was a bit blasé about death, even though I knew death: I had already lost all of my grandparents to old age and a few childhood friends to the suicide and opioid epidemic. When my mother died, I felt an intensely consuming and overwhelming grief, even though the loss was somewhat expected. Almost a year and a half later, it's still very fresh and complicated.

Now, when I read about anonymized death tolls in the paper, I think about the amount of grief that exists in the world at any given time. I think about their families, their close friends, the randomness, the horror of living and dying. Sometimes it makes me feel more alone in my experiences, but most of the time I feel more connected because we all have to go through it, and it's better if we do it together.

Josh and I did get married in a lovely ceremony at one of our favorite bookstores, with just our families. It was supposed to be a surprise*, but I was hoping to sing part of Steven Sondheim's Being Alive at our third wedding party in June. I'm not sure that party is happening now, and I'm not sure I could ever sing this song without crying. I spent a few minutes today crying and listening to it not because I'm sad, but because crying felt right today.

*I'm terrible at surprises, so I may have already told him.


Frida Kahlo
Girl with Death Mask (She Plays Alone)
1938

February is a Time for Only Certain Songs

Last month I visited Minneapolis for 4 days, to do a poetry reading at the Russian Museum of Art and hang out with my friend Drew. The trip was great--fun reading; good hangs with Drew and others--but it also contained a vaguely pensive foreboding of a kind, one that I couldn't put my finger on. Drew got a 24 hour food poisoning bug on Friday and spent 18 hours in bed, and during that time I meandered around Minneapolis by myself, which was nice--but also somewhat lonely. Even with all the cold sunshine and, throughout the day, strong hot coffee, there was a certain stasis of time and place in effect. As is the case when I visit any big metropolis that I don't know that well (or do), I was reminded of Olivia Laing's book The Lonely City.     
  
At the museum I was introduced to the works of Vladimir Dikarev, whose work I really liked. My own writing interests largely revolve around surrealism and absurdism, and Dikarev's work seemed to encapsulate my literary preoccupations visually.    





Fortunes from Minneapolis-based fortune cookies. I like "Venture not all in one boat." I used to skateboard a lot and my brand of trucks was/is VENTURE.


           JENNY HOLZER in the Walker Art Center Sculpture Garden (shoe mine). 

This was taken on Saturday. Drew had recovered and the Walker is within a stone's throw stone's throw of his house. Although I'd read quite a bit about it before, it was my first time visiting the Walker and I thoroughly enjoyed it. I tend to get easily overwhelmed in museums, trying to see and understand (or not) everything on display. There was a Jasper Johns exhibition which, being that I'm straight sideways about Johns, pleasantly surprised me--some optical illusion stuff that was cool--and a lot of great other works. Especially the short mail art exhibition that featured Ray Johnson, one of my top 3 favorite artists of all time.      


Famous Jenny Holzer installation that wasn't at the Walker but is always in my mind. Although as a writer I'm partial to Holzer's use of language in her works, I also like how the public display of them can potentially change the meaning.   

There is a light that never goes out. It's easy to blink and miss it, again and again.  


Colonial/Frontier House

If you've never seen PBS's absolutely insane experiments in historical resurrection reality TV -- the programs Colonial House and Frontier House (I think there's another one, 1940s House, but I haven't found it online) -- now would be an amazing time to start. They combine the worst instincts towards romanticizing history, reality TV characters chosen for particular reasons, somewhat educational content, and beautiful scenery.

The basics are these: a group of people -- some couples, some families, some loners -- are chosen to live together in rural coastal Maine (Colonial House) or in rural, rugged Montana (Frontier House), simulating an early European colony and an early attempt at homesteading, respectively.

This is quite obviously a fucked-up idea, one that can only explore very shallow versions of the racism and violence of the original settlements, not to mention the class and gender stratifications. But the show actually really attempts such an exploration, despite being doomed to fail at it. Particularly in Colonial House, which includes long and pretty surprisingly thoughtful encounters with descendants of local Native Americans who original colonists might have encountered, race, class, and gender are topics inherent to the enterprise.

This is also, though, the closest I've seen PBS come to straight-up trash reality TV. Inherently, it's pathetic, and I like to think the entire idea of romantic historical resurrection is revealed to be pathetic, selective, and messed-up. You can now watch Frontier House and Colonial House both on YouTube, I think in their near entirety. I would say I somewhat prefer Colonial House -- the participants, some beyond zany, take the task of recreating an early settlement FAR TOO SERIOUSLY. The people in charge are total blowhards, just like the original people in charge. Their actions lead to real strife, furious anger, and absolutely laughably absurd situations, such as:

-The oldest male in the group being made defacto Governor. A Baptist preacher from Waco, Texas, he and his family immediately institute mandatory daily prayer in the colony, insisting this is historically accurate, and no one can complain. Also off-limits: profanities such as "sucks" and "crap," which result in docked food/being held in the stocks. Women must be modest and are barred from important town meetings. The Governor reallllllly loves being Governor.

-The next-oldest male is defacto made the Governor's assistant. An anemic aetheist professor from California there with his wife -- honestly, if you've seen Sacha Baron Cohen's professor character in Who Is America, it's that guy -- with whom he claims an equal partnership in all things, he fairly quickly takes to the thrill of power and enforces the Governor's decree with something like handwringing glee. This means that his wife, also a professor, and all the other women, must work in subservience to the men, and sit on the opposite side of the makeshift church during the mandatory prayer service. The wife is not happy about this, but content that at least they have indentured servants over which she exerts dominion. She really enjoys this role.

-If people do not come to the mandatory prayer service, they are tied to a stake at the edge of the colony for the entire day.


I remember less about Frontier House, but I do remember the Clune family. They are forever burned into my brain, and I'll leave it at that. Here's a bizarre video of the family getting really into a period-appropriate song while making biscuits -- these shows are full of such moments.


Friday, March 20, 2020

daydreaming about coffee stops


I had a few jobs before COVID-19 closed bars and museums.
I was drinking a lot of coffee to get through my long days and this is what I have been daydreaming about while having been home in the past week:



The Solitary Life

Man, I realize some have only been holed up for a week now, but we are going on two weeks over here.

California is now officially on lockdown, but it won't change my routine, which consists of only leaving the house for walks with the dog, runs and the occasional store (beer) run.

Only essential places operating as of midnight, marijuana shops and car washes among them. California.

I have seen a couple good movies, Dark Waters and Thunder Road. Also reading Ryan Walsh's Astral Weeks, which makes me hate Boston slightly less.

I think we'll be in this state for a while - the state of not-knowing how this is all going to unfold. The government response has been dismal and I fear the economic turmoil will be irreparable. People need real relief - all student loans held for three months (forgiven would be nice). All mortgages - personal and commercial - on hold for three months. No rent for anyone or any biz for three months. It's the only way I see restaurants and all those who are now jobless, surviving this somewhat intact. But who the fuck am I?

A lot of folks are struggling. I'm feeling for my friends who released a fantastic album today (buy it if you can!). Their tour will be canceled/postponed. Speaking of music, all profits from Bandcamp go to the bands today. If you have any extra cash, it's a great way to support the musicians out there.


Here's Joni, the Mexican street dog, during our morning jaunt to the basketball courts where she chases her ball until she collapses. This usually wears her out until the early afternoon when she's tugging at my shirt sleeves to go out for another round. Keep on keepin' on.


Also, the place that employs me is giving away FREE eBooks



The Bridge Over the Drina

A favorite book of mine is The Bridge Over the Drina

Written by Ivo Andrić during the early years of WWII, it reads not like a novel but a chronicle. It's an epic - the tale of the Yugoslavians, back when they existed, and of the various empires who ruled over them in quick succession (Ottomans, Austro-Hungarians, etc) like the ocean's tide. It starts with the building of the titular bridge, connecting two parts of a town separated by a river, and centers the story of the town on this marvel of stone and masonry, unchanging as different types of soldiers come and go over four centuries. 

Andrić served as the Yugoslavian ambassador to Germany from 1939 until his arrest in '41. The Nazis allowed him to return to Belgrade, but only under conditions similar to house arrest (social distancing??). Andrić furiously wrote at least three books, including Drina, by the end of the war. In 1961, Andrić was awarded the Nobel for Literature

Drina is not only a chronicle of the fascinating history of the Balkans and the "Balkan Mindset" (epic laziness, hyper-romanticism, furious passion, extended memory function, constant confusion), but also of time. The bridge is the protagonist, the lead character in each act and every narrative. And as a person who relishes in the neorealism fetishization of public works (finally reading the last 400 pages of Power Broker is at the top of my COVID-19 must do!! list), it fills me with joy. It's the story of how a bridge is built, what the bridge creates and who it connects. We are humbled by these monuments to time, by the symbols of endurance, and how their creation changes everything.

This is one of the easily searchable quotes online, but also give off the typical vibe of the whole book:

"But misfortunes do not last forever (this they have in common with joys) but pass away or are at least diminished and become lost in oblivion. Life on the kapia always renews itself despite everything and the bridge does not change with the years or with the centuries or with the most painful turns in human affairs. All these pass over it, even as the unquiet waters pass beneath its smooth and perfect arches."

Another favorite section is how one resident reacts to the Austro-Hungarians building a train line through the town, which renders the bridge functionally obsolete:

"The packhorse owners, their horses, the covered carts and little old-fashioned fiacres by which men at one time travelled to Sarajevo remained without work. The journey no longer lasted two whole days with a halt for the night at Rogatica, as up till now, but a mere four hours. That was one of those figures which made men stop and think, but they still spoke of them without understanding and with emotion, reckoning up all the gains and savings given to them by speed. They looked with wonder at the first townsmen who went one day to Sarajevo, finished their business, and returned home again the same evening. 
Alihodja, always mistrustful, pig-headed, plain-spoken and apart in that as in all else, was the exception. To those who boasted of the speed with which they could now finish their business and reckoned how much time, money and effort they had saved, he replied ill-humoredly that it was not important how much time a man saved, but what he did with it when he had saved it. If he used it for evil purposed then it have been better he ha never had it. He tried to prove that the main thing was not that a man went swiftly but where he went and for what purpose and that, therefore, speed was not always an advantage.  
'If you are going to hell, then it is better that you should go slowly,' he said curtly to a young merchant. 'You are an imbecile if you think the Schwabes have spent their money and brought their machine here only for you to travel quickly and finish your business more conveniently. All you see is that you can ride , but you do not ask what the machine brings here and takes away other than you yourself and others like you. That you can't get into you head. Ride then, by fine fellow, ride as much as you like, but I greatly fear that all your riding will lead only to a fall one of these fine days. The time will come when the Schwabes will make you ride where you don't want to go and where you never even dreamt of going.' 
Whenever he heard the engine whistle as it rounded the bends on the slope near the Stone Han, Alihodja would frown and his lips would move in incomprehensible murmurs and, looking out slantwise from his shop at the unchanging bridge, he would go on elaborating his former idea; that the greatest buildings are founded by a word and that the peace and existence of whole towns and their inhabitants might depend on a whistle. Or so at least it seemed to this weakened man who remembered so much and had grown suddenly old. "

Image result for the bridge on the drina

Orienting Between Hyperobjects

An initial warning: I know this blog is for people to talk about the quarantine and various experiences they've been having, and I fully...